NoViolet Bulawayo
NoViolet Bulawayo’s debut novel, We Need New Names, identified her as one of the great storytellers of displacement and arrival. With her second novel Glory, she establishes herself as an essential voice in the fiction of the contemporary African diaspora. Channeling the potent rhythms of orature, Bulawayo weaves stories that are at once disarmingly playful and devastatingly real.
Shortlisted for the Man Booker Prize and The Guardian’s First Book Award, We Need New Names is the story of 10-year-old Darling and her friends—Chipo, Bastard, Godknows, Stina, and Sbho—who navigate their Zimbabwean shantytown with the exuberance of children everywhere. Yet when Darling escapes to her aunt’s home in suburban Detroit, she finds that—far from the relative comforts of her childhood community—America’s abundance is hard to reach, and she must reckon alone with the sacrifices and mixed rewards of assimilation.
Despite its weighty subject matter, We Need New Names “glows with humanity and humor” (The Independent), thanks to Bulawayo’s remarkable knack for creating delightful, resilient characters who enchant us as much with their antics as with their poignancy. In particular, Bulawayo gives us a protagonist whose raw, vivid voice may be the novel’s most memorable aspect. “Nearly as incisive about the American immigrant experience as it is about the failings of Mugabe’s regime” (NPR), the novel successfully evokes the insecurity, the messiness, and the complexity of leaving one homeland for another. A New York Times Notable Book, it was recognized with the PEN/Hemingway Prize, the Hurston/Wright Legacy Award, and many other honors. We Need New Names has been translated into thirteen languages, making it is the most translated book in modern Zimbabwean history. Bulawayo’s short story “Hitting Budapest,” which became the first chapter of We Need New Names, won the 2011 Caine Prize for African Writing, sometimes called the African Booker.
“A deeply felt and fiercely written debut novel…. The voice Ms. Bulawayo has fashioned for [Darling] is utterly distinctive—by turns unsparing and lyrical, unsentimental and poetic, spiky and meditative.”
—Michiko Kakutani, The New York Times
As The New York Times noted in its review of Bulawayo’s second book, “if We Need New Names was a call, then Glory is its answer. A blockbuster of a novel shortlisted for the Booker Prize and named one of the best books of 2022 by the New Yorker, NPR, and Time, Glory chronicles the fall of an oppressive regime and the chaotic, kinetic potential for real liberation that rises in its wake. “A satire with sharper teeth, angrier, and also very, very funny” (The New York Times Book Review), Glory centers around the unexpected fall of Old Horse, a long-serving leader of a fictional country, and the drama that follows for a rumbustious nation of animals on the path to true liberation. Inspired by the unexpected fall by coup, in November 2017, of Robert Mugabe, Zimbabwe’s president of nearly four decades, Bulawayo’s bold, vividly imagined novel shows a country imploding, narrated by a chorus of animal voices who unveil the ruthlessness and cold strategy required to uphold the illusion of absolute power, and the imagination and bulletproof optimism to overthrow it completely. Although Zimbabwe is the immediate inspiration for this thrilling story, Glory resonates in a time of global clamor, with resistance movements across the world challenging different forms of oppression, and giving voice to the bulletproof optimism to overthrow it completely.
The most translated author in modern Zimbabwean history, she is and assistant professor at Cornell, the first Black African Woman to be selected for the Booker List twice, and is one of only two African writers, the other being Chigozie Obioma, to be listed for both her debut and follow-up novel. Bulawayo grew up in Zimbabwe and earned her MFA from Cornell University, where she was a recipient of the Truman Capote Fellowship. She has also held fellowships at Princeton, Harvard, Stanford, Stellenbosch, and the University of Johannesburg. She has spoken at the University of Michigan, Wellesley College, UCLA, and other places.
For more information on NoViolet Bulawayo, please visit her at novioletbulawayo.com.
NoViolet Bulawayo’s debut novel, We Need New Names, identified her as one of the great storytellers of displacement and arrival. With her second novel Glory, she establishes herself as an essential voice in the fiction of the contemporary African diaspora. Channeling the potent rhythms of orature, Bulawayo weaves stories that are at once disarmingly playful and devastatingly real.
Shortlisted for the Man Booker Prize and The Guardian’s First Book Award, We Need New Names is the story of 10-year-old Darling and her friends—Chipo, Bastard, Godknows, Stina, and Sbho—who navigate their Zimbabwean shantytown with the exuberance of children everywhere. Yet when Darling escapes to her aunt’s home in suburban Detroit, she finds that—far from the relative comforts of her childhood community—America’s abundance is hard to reach, and she must reckon alone with the sacrifices and mixed rewards of assimilation.
Despite its weighty subject matter, We Need New Names “glows with humanity and humor” (The Independent), thanks to Bulawayo’s remarkable knack for creating delightful, resilient characters who enchant us as much with their antics as with their poignancy. In particular, Bulawayo gives us a protagonist whose raw, vivid voice may be the novel’s most memorable aspect. “Nearly as incisive about the American immigrant experience as it is about the failings of Mugabe’s regime” (NPR), the novel successfully evokes the insecurity, the messiness, and the complexity of leaving one homeland for another. A New York Times Notable Book, it was recognized with the PEN/Hemingway Prize, the Hurston/Wright Legacy Award, and many other honors. We Need New Names has been translated into thirteen languages, making it is the most translated book in modern Zimbabwean history. Bulawayo’s short story “Hitting Budapest,” which became the first chapter of We Need New Names, won the 2011 Caine Prize for African Writing, sometimes called the African Booker.
“A deeply felt and fiercely written debut novel…. The voice Ms. Bulawayo has fashioned for [Darling] is utterly distinctive—by turns unsparing and lyrical, unsentimental and poetic, spiky and meditative.”
—Michiko Kakutani, The New York Times
As The New York Times noted in its review of Bulawayo’s second book, “if We Need New Names was a call, then Glory is its answer. A blockbuster of a novel shortlisted for the Booker Prize and named one of the best books of 2022 by the New Yorker, NPR, and Time, Glory chronicles the fall of an oppressive regime and the chaotic, kinetic potential for real liberation that rises in its wake. “A satire with sharper teeth, angrier, and also very, very funny” (The New York Times Book Review), Glory centers around the unexpected fall of Old Horse, a long-serving leader of a fictional country, and the drama that follows for a rumbustious nation of animals on the path to true liberation. Inspired by the unexpected fall by coup, in November 2017, of Robert Mugabe, Zimbabwe’s president of nearly four decades, Bulawayo’s bold, vividly imagined novel shows a country imploding, narrated by a chorus of animal voices who unveil the ruthlessness and cold strategy required to uphold the illusion of absolute power, and the imagination and bulletproof optimism to overthrow it completely. Although Zimbabwe is the immediate inspiration for this thrilling story, Glory resonates in a time of global clamor, with resistance movements across the world challenging different forms of oppression, and giving voice to the bulletproof optimism to overthrow it completely.
The most translated author in modern Zimbabwean history, she is and assistant professor at Cornell, the first Black African Woman to be selected for the Booker List twice, and is one of only two African writers, the other being Chigozie Obioma, to be listed for both her debut and follow-up novel. Bulawayo grew up in Zimbabwe and earned her MFA from Cornell University, where she was a recipient of the Truman Capote Fellowship. She has also held fellowships at Princeton, Harvard, Stanford, Stellenbosch, and the University of Johannesburg. She has spoken at the University of Michigan, Wellesley College, UCLA, and other places.
For more information on NoViolet Bulawayo, please visit her at novioletbulawayo.com.
- The Immigrant Experience in America
- Social Protest Through Storytelling
- Africa in the Media
- Craft and Fiction
- Glory (Viking, 2022)
- We Need New Names (Hachette, 2013)
- 2023, Longlist, the Women’s Prize, Glory
- 2023, Longlist, Rathbones Folio Prize, Glory
- 2023 Longlist, Aspen Words Literary Prize, Glory
- 2022 Shortlist, Booker Prize, Glory
- 2014 Hurston/Wright Legacy Award, We Need New Names
- 2013 Finalist, Man Booker Award, We Need New Names
- 2013 PEN/Hemingway Debut Fiction Prize, We Need New Names
- 2013 Los Angeles Times Book Prize Art Seidenbaum Award for First Fiction, We Need New Names
- 2013 Etisalat Prize for Literature, We Need New Names
- 2011 Caine Prize for African Writing, “Hitting Budapest”
What wonderful sessions we had last week with NoViolet. She reached a wide set of students, [and] her conversations with students and faculty about her life as a writer were valuable. Plus she was just a pleasant person to be around!
Few writers possess a literary voice as inimitable as Bulawayo’s…[The] dazzling voices of [Glory] will draw you deep into its ambitious and mystifying heart.
Brilliant, alive and confident.
Ms. Bulawayo’s artistry is such that we can’t help but see ourselves in that wider world…. It would be hard to overstate the freshness of Ms. Bulawayo’s language, with words put together in utterly surprising ways that communicate precisely.
How does a writer tell the story of a traumatised nation without being unremittingly bleak? NoViolet Bulawayo manages it by forming a cast of characters so delightful and joyous that the reader is seduced by their antics at the same time as finding out about the country’s troubles.
- The Many Delights of Animal Stories | Review of Glory by Noviolet Bulawayo, Brittle Paper
- How a Zimbabwean Californian Came to Write a Modern, African Animal Farm, The Los Angeles Times:
- NoViolet Bulawayo Believes Freedom Begins With Imagination, The New York Times
- In Glory, Talking Animals Bear a Striking Resemblance to Real-life Tyrants, Washington Post
- Glory Nods to Orwell As Animals Explore Survival under a Corrupt Government, NPR
- Writing About Women at the Margins: An Interview with NoViolet Bulawayo, Vela Magazine
- Hitting Budapest, The Boston Review
- LISTEN: The Novel Glory Is Inspired by Animal Farm and Based on the 2017 Coup in Zimbabwe, Weekend Edition Saturday, NPR












Ingrid Rojas Contreras