Jamaica Kincaid

Novelist • Memoirist • Gardener

“Express everything you like. No word can hurt you. None. No idea can hurt you. Not being able to express an idea or word will hurt you more. Like a bullet.”

—Jamaica Kincaid

One of the most decorated writers of her generation, Jamaica Kincaid is a writer with a clear, illuminating vision of humanity. Written in a deceptively simple and unadorned style, Kincaid’s books are informed by her status as an uprooted subject, born in the Caribbean island of Antigua, but living in North America. Kincaid deals with such universal themes as coming-of-age and the necessity of separation from parents and establishing identity.

After leaving Antigua for New York to work as an au pair, Kincaid studied photography at the New York School for Social Research and attended Franconia College in New Hampshire. A staff writer at The New Yorker from 1974-1996, she published her first book, a collection of pieces for The New Yorker called At the Bottom of the River, in 1983. Her first novel, Annie John, followed in 1985—the coming-of-age story of a willful ten-year-old growing up on Antigua. With thirteen translations, it is estimated to be the most translated book by an Antiguan author. Further novels include Lucy, the story of a teenage girl from the West Indies who comes to North America to work as an au pair for a wealthy family; The Autobiography of My Mother, a novel set on the island of Dominica and told by a 70-year-old woman looking back on her life; and Mr. Potter which follows the life of an illiterate taxi chauffeur.

Kincaid’s treatment of the themes of family relationships, personhood, and the taint of colonialism reach a fierce pitch in The Autobiography of My Mother and My Brother, an account of the death from AIDS of her younger brother. Writing in The New York Times, Anna Quindlen described the book as “a sustained meditation on the grinding wheel of family, with mother always at the hub… a memoir about death that portrays it as it is, not as we would have it be, as we so often tailor it both in memoir and fiction.” Kincaid’s latest novel, See Now Then, a nonlinear portrait of a family living in a small New England village, was a New York Times bestseller and won the Before Columbus Foundation America Book Award in 2014.

“I was trying to understand the thing people call ‘the existential’, or existentialism. And it was as if some reviewers decided that I, a black woman, had no right to think about life in such a speculative way. That I was only entitled to write about the hardship of racism.”

—Jamaica Kincaid

In addition to novels and memoirs, Kincaid has also written A Small Place, a short, powerful book about the effects of colonialism that subverts the cliché of Antigua as a tourist’s paradise. Her fascination with gardening and botany has led to several pieces on the subject, including the books My Garden and Among Flowers: A Walk in the Himalaya, and her acclaimed essay “The Disturbances of the Garden“, which explores the legacies of colonialism. This fascination also informs her collaboration with the artist Kara Walker, An Encyclopedia of Gardening for Colored Children. In this witty, deeply original book, Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them, populated with imaginative watercolor illustrations from Walker, one of America’s greatest visual artists. And now a half-century’s worth of personal essays and cultural criticism has been collected in her newest book, Putting Myself Together. In their starred review, Publishers Weekly posited that “Kincaid’s cutting prose shines, and the collection makes for a marvelous account of the author’s life and career. This is a triumph.” 

A member of the American Academy of Arts and Letters, Kincaid is a recipient of the Hadada Award for Lifetime Achievement from The Paris Review. Her other accolades include the Lannan Literary Award for Fiction, Anisfield-Wolf Book Award, the Dan David Prize for Literature, the Clifton Fadiman Medal, a Guggenheim Foundation Fellowship, and the Prix Femina Étranger award. She lives in Vermont.

For more information on Jamaica Kincaid, please visit her on Instagram.

“Express everything you like. No word can hurt you. None. No idea can hurt you. Not being able to express an idea or word will hurt you more. Like a bullet.”

—Jamaica Kincaid

One of the most decorated writers of her generation, Jamaica Kincaid is a writer with a clear, illuminating vision of humanity. Written in a deceptively simple and unadorned style, Kincaid’s books are informed by her status as an uprooted subject, born in the Caribbean island of Antigua, but living in North America. Kincaid deals with such universal themes as coming-of-age and the necessity of separation from parents and establishing identity.

After leaving Antigua for New York to work as an au pair, Kincaid studied photography at the New York School for Social Research and attended Franconia College in New Hampshire. A staff writer at The New Yorker from 1974-1996, she published her first book, a collection of pieces for The New Yorker called At the Bottom of the River, in 1983. Her first novel, Annie John, followed in 1985—the coming-of-age story of a willful ten-year-old growing up on Antigua. With thirteen translations, it is estimated to be the most translated book by an Antiguan author. Further novels include Lucy, the story of a teenage girl from the West Indies who comes to North America to work as an au pair for a wealthy family; The Autobiography of My Mother, a novel set on the island of Dominica and told by a 70-year-old woman looking back on her life; and Mr. Potter which follows the life of an illiterate taxi chauffeur.

Kincaid’s treatment of the themes of family relationships, personhood, and the taint of colonialism reach a fierce pitch in The Autobiography of My Mother and My Brother, an account of the death from AIDS of her younger brother. Writing in The New York Times, Anna Quindlen described the book as “a sustained meditation on the grinding wheel of family, with mother always at the hub… a memoir about death that portrays it as it is, not as we would have it be, as we so often tailor it both in memoir and fiction.” Kincaid’s latest novel, See Now Then, a nonlinear portrait of a family living in a small New England village, was a New York Times bestseller and won the Before Columbus Foundation America Book Award in 2014.

“I was trying to understand the thing people call ‘the existential’, or existentialism. And it was as if some reviewers decided that I, a black woman, had no right to think about life in such a speculative way. That I was only entitled to write about the hardship of racism.”

—Jamaica Kincaid

In addition to novels and memoirs, Kincaid has also written A Small Place, a short, powerful book about the effects of colonialism that subverts the cliché of Antigua as a tourist’s paradise. Her fascination with gardening and botany has led to several pieces on the subject, including the books My Garden and Among Flowers: A Walk in the Himalaya, and her acclaimed essay “The Disturbances of the Garden“, which explores the legacies of colonialism. This fascination also informs her collaboration with the artist Kara Walker, An Encyclopedia of Gardening for Colored Children. In this witty, deeply original book, Kincaid offers an ABC of the plants that define our world and reveals the often brutal history behind them, populated with imaginative watercolor illustrations from Walker, one of America’s greatest visual artists. And now a half-century’s worth of personal essays and cultural criticism has been collected in her newest book, Putting Myself Together. In their starred review, Publishers Weekly posited that “Kincaid’s cutting prose shines, and the collection makes for a marvelous account of the author’s life and career. This is a triumph.” 

A member of the American Academy of Arts and Letters, Kincaid is a recipient of the Hadada Award for Lifetime Achievement from The Paris Review. Her other accolades include the Lannan Literary Award for Fiction, Anisfield-Wolf Book Award, the Dan David Prize for Literature, the Clifton Fadiman Medal, a Guggenheim Foundation Fellowship, and the Prix Femina Étranger award. She lives in Vermont.

For more information on Jamaica Kincaid, please visit her on Instagram.

Books

  • Putting Myself Together: Writing, 1974— (Farrar, Straus and Giroux, 2025)
  • An Encyclopedia of Gardening for Colored Children, illustrated by Kara Walker (Farrar, Straus and Giroux, 2024)
  • See Now Then (Farrar, Straus and Giroux, 2013)
  • Among Flowers: A Walk in the Himalayas (Farrar, Straus and Giroux, 2005)
  • Best American Travel Writing, 2005, editor (Mariner, 2005)
  • Mr. Potter (Farrar, Straus and Giroux, 2002)
  • My Garden Book (Farrar, Straus and Giroux, 2001)
  • Talk Stories (Farrar, Straus and Giroux, 2001)
  • My Brother (Farrar, Straus and Giroux, 1997)
  • The Autobiography of My Mother (Farrar, Straus and Giroux, 1996)
  • Lucy (Farrar, Straus and Giroux, 1990)
  • A Small Place (Farrar, Straus and Giroux, 1988)
  • Annie, Gwen, Lilly, Pam, and Tulip (Knopf, 1986)
  • Annie John (Farrar, Straus and Giroux, 1985)
  • At the Bottom of the River (Farrar, Straus and Giroux, 1983)

Selected Contributions:

  • The Matter of Black Lives: Writing from The New Yorker  (Ecco, 2021)

Selected Essays and Articles

  • 2024 St. Louis Literary Award
  • 2022  The Paris Review Hadada Award for Lifetime Achievement
  • 2017  Dan David Prize in Literature
  • 2014  Before Columbus Foundation American Book Award, See Now Then
  • 2010  Center for Fiction, Clifton Fadiman Medal, Annie John
  • 2009  Elected member of the American Academy of Arts and Sciences
  • 2004  Elected member of the American Academy of Arts and Letters
  • 2000  Prix Femina étranger, My Brother
  • 1999  Lannan Literary Award for Fiction
  • 1997  Anisfield-Wolf Book Award, The Autobiography of My Mother
  • 1997  Finalist, PEN/Faulkner Award for Fiction, The Autobiography of My Mother
  • 1994  Lila Wallace-Reader’s Digest Award
  • 1985  Guggenheim Fellowship
  • 1985  Finalist, International Ritz Paris Hemingway Award, Annie John
  • 1984  Morton Dauwen Zabel Award of the American Academy of Arts and Letters, At the Bottom of the River
  • 1984  Finalist, PEN/Faulkner Award for Fiction, At the Bottom of the River

Jamaica’s sentences roam over hills and valleys, from local poverties and the bitter legacy of colonialism to the beauty of a single flower. I can’t think of another writer whose voice contains such intensities of rage and love. It is a sound incantatory, biblical, and full of music.

Hadada Award citation

Ms. Kincaid writes with passion and conviction… [with] a poet’s understanding of how politics and history, private and public events, overlap and blur.

The New York Times

[Kincaid] writes like an angel: with enviable lucidity and precision and a lyric touch that frequently aspires to the condition of poetry.

Boston Sunday Globe

Kincaid continues to write with a unique, compelling voice that cannot be found anywhere else. Her small books are worth a pile of thicker―and hollower―ones.

The San Francisco Chronicle

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