Kiese Laymon
“Kiese Laymon is a star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful.”
—Martha Anne Toll, NPR
Kiese Laymon is a Black southern writer from Jackson, Mississippi. In his observant, often hilarious work, Laymon does battle with the personal and the political: race and family, body and shame, poverty and place. His savage humor and clear-eyed perceptiveness have earned him comparisons to Ta-Nehisi Coates, Alice Walker, and Mark Twain. He is the author of the award-winning memoir Heavy, the groundbreaking essay collection How to Slowly Kill Yourself and Others in America, and the genre-defying novel Long Division.
Laymon’s memoir Heavy won the 2019 Andrew Carnegie Medal for Excellence in Nonfiction, the 2018 Christopher Isherwood Prize for Autobiographical Prose, and the Austen Riggs Erikson Prize for Excellence in Mental Health Media. Heavy was also named one of the 50 Best Memoirs of the Past 50 Years and one of the 100 Best Books of the 21st Century by The New York Times. A personal narrative that illuminates national failures, Heavy is defiant yet vulnerable—an insightful, often comical exploration of weight, identity, art, friendship, and family. In a starred review, Kirkus wrote, “Laymon skillfully couches his provocative subject matter in language that is pyrotechnic and unmistakably his own…. A dynamic memoir that is unsettling in all the best ways.” Heavy was named a best book of 2018 by the New York Times, Publishers Weekly, NPR, Broadly, Buzzfeed, The Washington Post, Entertainment Weekly. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year.
“Kiese Laymon is one of the most dazzling, inventive, affecting essayists working today.”
—Nylon
When Laymon was a contributing editor at Gawker, he wrote an essay called “How to Slowly Kill Yourself and Others in America.” This harrowing piece, which describes four incidents in which Laymon was threatened with a gun, evolved into a collection of lacerating essays on race, violence, celebrity, family, and creativity. How to Slowly Kill Yourself and Others in America “rarely smiles” and “never relents,” writes Oscar Quine in The Independent: “What this book really does brilliantly is elucidate the depreciated nature of a life lived as a Black American.” In 2020, Laymon released a revised and expanded edition which The New York Times raved “made a once solid collection superb…. Laymon [is] in full bloom as an artist and introspector.”
Laymon’s novel, the NAACP Image Award-winning Long Division, combines elements of science fiction, satire, and social commentary into a book that The Wall Street Journal, called “funny, astute and searching.” In Long Division, 14-year-old City, a newly minted YouTube star, is sent to stay with family in rural Melahatchie, Mississippi. What happens next transgresses the boundaries of fiction and reality, present and past, as City travels through time. Kirkus called it “hilarious, moving and occasionally dizzying,” and Booklist noted that Long Division “elegantly showcases Laymon’s command of voice and storytelling skill in a tale that is at once dreamlike and concrete, personal and political.” The novel was honored with the William Saroyan International Prize for Writing in 2014, and was shortlisted for a number of other awards, including The Believer Book Award, the Morning News Tournament of Books, and the Ernest J. Gaines Fiction Award. A film adaptation of Long Division is forthcoming from Trevor Noah’s Day Zero Productions.
Laymon’s first book for children, City Summer, Country Summer, is set during a transformative summer trip down South to visit family. Laymon says, “I wanted to create something that was softer and honest…what happens if we really explore a culture and a society and grandmothers that help create safeness in spite of the unsafety of the world.”
A MacArthur “Genius Grant” Fellow, Laymon is a contributing editor for Vanity Fair. His work has also appeared in The New York Times, Esquire, ESPN The Magazine, NPR, Colorlines, The Los Angeles Times, The Guardian, Ebony, Guernica, The Oxford American, Lit Hub, and many others in addition to Gawker. He is a series editor, along with Marie Mutsuki Mockett, on Great Circle Books, an imprint of nonfiction books published by UNC and helmed by Cate Hodorowiczof that seeks to merge the human experience with our relationship to place, aimed particularly at those interested in urgent and previously unvoiced cultural conversations that offer new ways to see and understand a world in a constant state of flux.
Laymon was named to the Ebony Magazine Power 100 in 2015, and selected as a member of the Root 100 in 2013 and 2014. He is a graduate of Oberlin College and holds an MFA in creative writing from Indiana University. He founded the Catherine Coleman Initiative for the Arts and Social Justice, a program aimed at getting Mississippi kids and their parents, more comfortable reading, writing, revising and sharing. He is at work on several new projects including serving as an executive producer on the documentary Five: A Mother’s Journey, the long poem, Good God; the horror novel, And So On; and the personal narrative about family and Mississippi, I Don’t Know What You Mean.
For more information on Kiese Laymon, please visit him on Instagram, Twitter and at kieselaymon.com.
“Kiese Laymon is a star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful.”
—Martha Anne Toll, NPR
Kiese Laymon is a Black southern writer from Jackson, Mississippi. In his observant, often hilarious work, Laymon does battle with the personal and the political: race and family, body and shame, poverty and place. His savage humor and clear-eyed perceptiveness have earned him comparisons to Ta-Nehisi Coates, Alice Walker, and Mark Twain. He is the author of the award-winning memoir Heavy, the groundbreaking essay collection How to Slowly Kill Yourself and Others in America, and the genre-defying novel Long Division.
Laymon’s memoir Heavy won the 2019 Andrew Carnegie Medal for Excellence in Nonfiction, the 2018 Christopher Isherwood Prize for Autobiographical Prose, and the Austen Riggs Erikson Prize for Excellence in Mental Health Media. Heavy was also named one of the 50 Best Memoirs of the Past 50 Years and one of the 100 Best Books of the 21st Century by The New York Times. A personal narrative that illuminates national failures, Heavy is defiant yet vulnerable—an insightful, often comical exploration of weight, identity, art, friendship, and family. In a starred review, Kirkus wrote, “Laymon skillfully couches his provocative subject matter in language that is pyrotechnic and unmistakably his own…. A dynamic memoir that is unsettling in all the best ways.” Heavy was named a best book of 2018 by the New York Times, Publishers Weekly, NPR, Broadly, Buzzfeed, The Washington Post, Entertainment Weekly. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year.
“Kiese Laymon is one of the most dazzling, inventive, affecting essayists working today.”
—Nylon
When Laymon was a contributing editor at Gawker, he wrote an essay called “How to Slowly Kill Yourself and Others in America.” This harrowing piece, which describes four incidents in which Laymon was threatened with a gun, evolved into a collection of lacerating essays on race, violence, celebrity, family, and creativity. How to Slowly Kill Yourself and Others in America “rarely smiles” and “never relents,” writes Oscar Quine in The Independent: “What this book really does brilliantly is elucidate the depreciated nature of a life lived as a Black American.” In 2020, Laymon released a revised and expanded edition which The New York Times raved “made a once solid collection superb…. Laymon [is] in full bloom as an artist and introspector.”
Laymon’s novel, the NAACP Image Award-winning Long Division, combines elements of science fiction, satire, and social commentary into a book that The Wall Street Journal, called “funny, astute and searching.” In Long Division, 14-year-old City, a newly minted YouTube star, is sent to stay with family in rural Melahatchie, Mississippi. What happens next transgresses the boundaries of fiction and reality, present and past, as City travels through time. Kirkus called it “hilarious, moving and occasionally dizzying,” and Booklist noted that Long Division “elegantly showcases Laymon’s command of voice and storytelling skill in a tale that is at once dreamlike and concrete, personal and political.” The novel was honored with the William Saroyan International Prize for Writing in 2014, and was shortlisted for a number of other awards, including The Believer Book Award, the Morning News Tournament of Books, and the Ernest J. Gaines Fiction Award. A film adaptation of Long Division is forthcoming from Trevor Noah’s Day Zero Productions.
Laymon’s first book for children, City Summer, Country Summer, is set during a transformative summer trip down South to visit family. Laymon says, “I wanted to create something that was softer and honest…what happens if we really explore a culture and a society and grandmothers that help create safeness in spite of the unsafety of the world.”
A MacArthur “Genius Grant” Fellow, Laymon is a contributing editor for Vanity Fair. His work has also appeared in The New York Times, Esquire, ESPN The Magazine, NPR, Colorlines, The Los Angeles Times, The Guardian, Ebony, Guernica, The Oxford American, Lit Hub, and many others in addition to Gawker. He is a series editor, along with Marie Mutsuki Mockett, on Great Circle Books, an imprint of nonfiction books published by UNC and helmed by Cate Hodorowiczof that seeks to merge the human experience with our relationship to place, aimed particularly at those interested in urgent and previously unvoiced cultural conversations that offer new ways to see and understand a world in a constant state of flux.
Laymon was named to the Ebony Magazine Power 100 in 2015, and selected as a member of the Root 100 in 2013 and 2014. He is a graduate of Oberlin College and holds an MFA in creative writing from Indiana University. He founded the Catherine Coleman Initiative for the Arts and Social Justice, a program aimed at getting Mississippi kids and their parents, more comfortable reading, writing, revising and sharing. He is at work on several new projects including serving as an executive producer on the documentary Five: A Mother’s Journey, the long poem, Good God; the horror novel, And So On; and the personal narrative about family and Mississippi, I Don’t Know What You Mean.
For more information on Kiese Laymon, please visit him on Instagram, Twitter and at kieselaymon.com.
Books
- City Summer, Country Summer (Kokila, 2025)
- Heavy: An American Memoir (Scribner, 2018)
- How to Slowly Kill Yourself and Others in America (Scribner, 2020; Agate Bolden, 2013)
- Long Division (Scribner 2021; Agate Bolden, 2013)
Selected Contributions
- The Best American Food and Travel Writing 2024 (Mariner Books, Forthcoming 2024)
- The Best American Travel Writing 2021 (Mariner Books, 2021)
- Abolition for the People (Kaepernick Publishing, 2021)
- You Are Your Best Thing: Vulnerability, Shame, Resilience, and the Black Experience (Random House, 2021)
- Four Hundred Souls: A Community History of African America, 1619-2019 (One World, 2021)
- Black Futures (One World, 2020)
- What My Mother and I Don’t Talk About: Fifteen Writers Break the Silence (Simon & Schuster, 2019)
- Tales of Two Americas: Stories of Inequality in a Divided Nation (Penguin, 2017)
- The Fire This Time: A New Generation Speaks about Race (Scribner, 2016)
Selected Articles and Essays
- My Favorite Restaurant Served Gas, The Bitter Southerner
- The Burden of Bearing Witness, Harper’s Bazaar
- What We Owe and Are Owed: Kiese Laymon on Black Revision, Repayment, and Renewal, New York Magazine
- There Is No Excuse: University of Mississippi Faculty Members Condemn Proposed “Shrine to White Supremacy”, Vanity Fair
- City Summer, Country Summer, The New York Times
- Kiese Laymon’s original short fiction “July 17, 1984″, included in The 1619 Project, The New York Times Magazine
- That’s Not Actually True, Scalawag
- Quick Feet, Virginia Quarterly Review
- My Vassar College Faculty ID Makes Everything OK, Gawker
- 2022 MacArthur Fellows Program Grant Award
- 2022 Longlist, Mark Twain American Voice in Literature, Long Division
- 2022 NAACP Image Awards, Outstanding Literary Work, Fiction, Long Division
- 2022 Fellow, United States Artists
- 2019 Nominee, Hurston/Wright Legacy Award for Nonfiction, Heavy
- 2019 Andrew Carnegie Medal for Excellence in Nonfiction, Heavy
- 2019 Barnes & Noble Discover Award, Heavy
- 2018 Christopher Isherwood Prize for Autobiographical Prose, Heavy
- 2018 Audible 2018 Audiobook of the Year, Heavy
- 2018 Finalist, Kirkus Prize for Nonfiction, Heavy
- 2014 William Saroyan International Prize for Writing, Long Division
- 2013 Shortlist, The Believer Book Award, Long Division
- 2013 Shortlist, Ernest J. Gaines Fiction Award, Long Division
In addition to connecting with our students, folks from the community and other colleges attended the event and Kiese made everyone feel welcome and special and like they all belonged and have a place on our campus. I won’t be surprised when next semester we have record numbers of new students in our creative writing classes because of Kiese’s visit.
Kiese gave the most beautiful talk for our group. His reading was vulnerable, brave, and absolutely riveting. He was generous with the audience, seeming to have this ability to connect with every single person in the room from the stage. I don’t think I’ve ever seen a speaker give so much of himself to an audience. Those of us who were there, who had the good fortune or blessing to have attended this remarkable event, will never forget what he shared, and we were all in some way transformed.
Kiese joining our summit with the warmth and wisdom of a neighbor and friend truly exceeded our expectations and was deeply appreciated by the entire community.
Kiese was an absolute delight, and his visit meant so much to our students and faculty! For me, personally, it was one of the best visits we’ve had in all my years here. He just went all out, was completely generous and gracious, and gave so much to our students. I just also really loved him as a person—he’s hilarious, kind, thoughtful, and genuine.
Simply one of the most talented writers in America.
- Kiese Laymon on Revision as Love, and Love as Revision, Literary Hub
- Conjuring Love: A Conversation with Kiese Laymon, The Los Angeles Review of Books
- Kiese Laymon Recommends Describing Your Writer’s Block to Get Through It, Lit Hub
- Kiese Laymon Revisits Some Early Essays, and Reclaims His Voice, The New York Times Sunday Book Review
- A Reckoning Is Different than a Tell-All: An Interview with Kiese Laymon, The Paris Review
- LISTEN: Putting the ‘I’ Back in Essay: A Conversation with Deesha Philyaw and Kiese Laymon, Reckon True Stories
- LISTEN: Now You See Me, This American Life
- LISTEN: Two Acclaimed Writers of the Art of Revising Your Life, The Ezra Klein Show, The New York Times
- LISTEN: Judgement Day, This American Life
- LISTEN: The Rugged Majesty of Revision, Vox Conversations
- LISTEN: Weekend Edition: Kiese Laymon’s Memoir Examines How People Absorb Trauma, NPR















Dr. Imani Perry