“Lethem is one of our most perceptive cultural critics, conversant in both the high and low realms, his insights buffeted by his descriptive imagination.”

—The Los Angeles Times Book Review

Jonathan Lethem’s genre-defying fiction weaves the conventions of noirs, westerns, science fiction, and graphic novels into something both evocative and wholly original. The “bard of Brooklyn” (LitHub) is the author of more than a dozen books—including the much-lauded novels Motherless Brooklyn and The Fortress of Solitude—and the winner of a MacArthur Foundation Genius Grant.

Describing his work, Lethem says, “Everything I write is informed by genre traditions, which I love deeply. At the same time, I don’t think I’ve written without straining against genre boundaries, and I’ve often violated them outright. I think my work reveals traces of an extremely eclectic reading history, and my narrative is also particularly informed by film. But my dearest models are nearly all twentieth-century Americans pursuing high art through popular forms.”

The award-winning Motherless Brooklyn is Lethem’s breakthrough novel, a detective story ceaselessly interrupted by outbursts from its highly unconventional narrator, a Tourettes-plagued private investigator named Lionell Essrog. Combining noirish literary tropes with a punch of the unpredictable, Motherless Brooklyn boasts “dialogue [that] crackles with caustic hilarity… Jonathan Lethem is a verbal performance artist” (The Boston Globe). Wrote The Denver Post, “Jonathan Lethem has turned a genre on its ear. He doesn’t just push the envelope, he gives it a swift kick.”

“Lethem has intense gifts; nothing he writes is a waste of time.”

—The New York Times

The Fortress of Solitude depicts the intricate codes of childhood street life Lethem navigated growing up in 1970s Brooklyn, when the neighborhood was rife with race and class tensions. It was adapted for the stage by the Public Theater and a film adaptation is in the works at Amazon Studios with Alfonso Gomez-Rejon (Me, Earl, and the Dying Girl) at the helm. Chronic City, a New York Times Best Book of 2009, unfolds in an alternate-universe Manhattan, following a burned-out child star and a pop culture critic as they uncover mysteries and pursue truth. The tragicomic A Gambler’s Anatomy is the “pleasantly bizarre” (Publishers Weekly) tale of an international backgammon hustler juggling an existential crisis and a blinding tumor. Other novels include The Feral Detective, a neo-Western detective story; You Don’t Love Me Yet, a raucous romantic farce that explores the paradoxes of love and art; and Dissident Gardens, an epic yet intimate family saga about three generations of all-American radicals. His most recent is The Arrest, a postapocalyptic yarn about two siblings, the man that came between them, and a nuclear-powered super car. “Inventive and intelligent” (Booklist), the novel is “as with so much of his work… inventive, entertaining and superbly written” (The New York Times). 

And in Fall 2023 he followed that up in a return to his old haunts (and his playful dalliances with genre boundaries) with the ambitious and kaleidoscopic Brooklyn Crime Novel. A sweeping story of community, crime, and gentrification, Lethem’s newest weaves together many characters and storylines over fifty years of life in one Brooklyn neighborhood.

“Brooklyn Crime Novel is an inquiry and a tragedy, and as with the oldest crime story ever written, Oedipus Rex, the judge, detective, victim, and accused are one and the same. A deeply moving, fiercely intelligent, and acerbically funny novel about the scandal and disaster of American capital in our time.”

—Namwali Serpell

Lethem’s nonfiction, which includes essays on writing and music, is as compelling and observant as his fiction. With Kevin Dettmar, Lethem edited Shake It Up: Great American Writing on Rock and Pop From Elvis to Jay Z. The New York Times Book Review called it “excellent… a feast of rock writing, freewheelin’, funny, and deep.” In More Alive and Less Lonely, Lethem offers us a decade’s work of his incisive, passionate writing on writing. “Lethem is literature’s ultimate fanboy,” wrote The New York Times Book Review. “His earnestness is satisfying, but it’s his vulnerability, his willingness to expose his own flaws, that endears… Lethem’s words remind of us of our own rabid fandoms.”