Hailed by The New Yorker as “an acute and compassionate observer,” Nomadland author Jessica Bruder reports on social injustice, subcultures, and the dark underbelly of American capitalism. Marked by a deep-seated empathy and clear-headed eye for detail, her “stunning and beautifully written” (Arlie Hochschild, The New York Times Book Review) stories haunt us long after we’ve finished reading.

Bruder’s Nomadland—the basis of the Oscar-winning film of the same name—documents the lives of itinerant Americans who travel from job to job out of economic necessity. Employers from big-box retailers to commercial farmers have found a new source of cheap labor: transient older Americans. When Social Security comes up short and their mortgages sink underwater, these overlooked casualties of the Great Recession take to the road in old RVs, trailers, and camper vans, forming a migrant community of self-identified “workampers.” Nomadland follows Bruder’s unforgettable subjects as they clean campground toilets, scan products in warehouses, and harvest beets in a scramble to survive, often long past the age at which they expected to retire.

In a feat of immersive journalism, Bruder drove from coast to coast and from Mexico to Canada―a total of 15,000 miles―and spent months living in a secondhand camper van nicknamed Halen to understand her subjects’ lives and experiences on a more personal level. She came away determined to shine a light on the urgency of providing affordable housing, raising the minimum wage, preserving Social Security, and decriminalizing homelessness. Her “devastating, revelatory book” (The Washington Post) foreshadows the precarious future that may await more of us, while still managing to celebrate the quintessentially American resilience and creativity of her subjects.

With our nation’s economic future more unequal and unstable every year, Nomadland presents a “wonderfully humane and deeply troubling” (The Nation) look at how the American dream has failed some of our most vulnerable citizens. A New York Times Notable Book and an Editors’ Choice selection, it won the Discover Award, was a finalist for the J. Anthony Lukas Prize and the Helen Bernstein Book Award, and has been translated into 24 languages. Library Journal and Kirkus Reviews both listed Nomadland among their top 10 titles of 2017.

The Oscar-winning film adaptation was directed by Chloé Zhao, starring Frances McDormand and David Strathairn alongside dozens of first-time actors: real people featured in the book. “Overflowing with humanity and tenderness for its characters” (BBC), the film garnered numerous awards including the coveted Golden Lion at the 2020 Venice Film Festival, the People’s Choice Award at the Toronto International Film Festival, two Golden Globe Awards, a BAFTA, and four Critics Choice Awards. Topping dozens of Best Films of 2020 lists, Nomadland took home Best Picture, Best Director, and Best Actress at the 2021 Academy Awards.

In 2013, after agreeing to receive a mysterious package, Bruder became part of the human network that ferried the entire NSA archive leaked by Edward Snowden. Bruder and co-author Pulitzer Prize-winning journalist Dale Maharidge wrote Snowden’s Box: Trust in the Age of Surveillance, about the part they played in bringing to light the massive surveillance apparatus assembled by the US government to spy on its own people. Originally a piece for Harper’s Magazine, the book is an engrossing narrative that reflects on the status of transparency and trust in the age of surveillance, suggesting what citizens and activists can do to protect privacy and democracy.

Bruder is also the author and one of the photographers behind Burning Book, a visually driven nonfiction exploration of Burning Man, the annual celebration of art and creativity that has been drawing tens of thousands of revelers to the remote Nevada desert for more than a quarter-century. She is now at work on an immersive book about the modern-day abortion underground, focusing on mutual aid and grassroots resistance after the fall of Roe. The book expands on her May 2022 Atlantic cover story “The Future of Abortion in a Post-Roe America: Inside the Covert Network Preparing to Circumvent Restrictions” and is under contract with Pantheon Books.

Bruder has taught narrative storytelling at Columbia Journalism School for more than a decade and, starting this summer, will also teach a workshop for incoming students at the Craig Newmark Graduate School of Journalism at CUNY. A longtime contributor to The New York Times, she was the founding columnist behind Start, a blog profiling socially innovative startups. Her stories have appeared on the covers of WIRED, Harper’s, The Atlantic, The Nation, Audubon, and The Christian Science Monitor magazines, and in the pages of New York Magazine, The New York Times Magazine, The Guardian, The Washington Post, The International Herald Tribune, Inc. Magazine and O: The Oprah Magazine, among others. She is a former staff writer at The Oregonian and The New York Observer, as well as a former senior editor of Fortune Small Business.

For her longform magazine stories, Bruder has earned a James Aronson Award for Social Justice Journalism, a Deadline Club Award, and in 2019, the New America Foundation recognized her work with a fellowship. She has also received support from the Economic Hardship Reporting Project and fellowships from Yaddo, the MacDowell Colony, New America, and the Rockefeller Foundation’s Bellagio Center. Bruder is currently a fellow at Type Media Center. She speaks on income inequality, labor, the gig economy, social justice, subcultures, surveillance, the housing crisis, immersion journalism and other related issues.

For more information on Jessica Bruder, please visit her on Facebook, Instagram, Twitter or at jessicabruder.com.