“Glass’s ability to illuminate and deepen the mysteries of her characters’ lives is extraordinary.”
—Michael Cunningham, author of The Hours
In half a dozen critically acclaimed novels, Julia Glass turns her supple and delicate prose to the intricacies of love and family. Among her chosen subjects, according to The Boston Globe, are “parents and children, the ephemerality of beauty, the inexplicability of desire, the nature of ‘lasting love,’ and the definition of family.”
Glass’s first novel, Three Junes, won the National Book Award for Fiction. The three-part tale takes place during the Junes of 1989, 1995, and 1999, following one Scottish family through moments of grief and joy, closeness and distance. “Masterfully,” Katherine Wolff writes in The New York Times Book Review, “Three Junes shows how love follows a circuitous path, how its messengers come to wear disguises. Julia Glass has written a generous book about family expectations—but also about happiness, luck, and, as she puts it, the ‘grandiosity of genes.’”
I See You Everywhere, Glass’s third book, won the SUNY John Gardner Fiction Award. The collection of linked stories chronicles 25 years in the lives of sisters Louisa and Clem. Writing in The New York Times Book Review, Liesl Schillinger said, “Rich, intricate, and alive with emotion, the book reconstructs the complicated bonds between Louisa and Clem… In this novel, Glass has used the edges and color blocks of her own life to build an honest portrait of sister-love and sister-hate—interlocking, brave and forgiving—made whole through art, despite missing pieces in life.”
“Glass’s novels feel a bit like looking out a tiny attic window onto a broad vista. At first, they seem like small domestic dramas, but they open up to consider expansive topics that might have seemed far outside their scope.”
Glass’s novel And the Dark Sacred Night is the story of Kit Noonan, an art historian and married father at a crossroads in his life. Kit goes searching for the father he never knew, discovering in the course of this journey new truths about himself and the world around him. Describing the novel’s depth and complexity, The San Francisco Chronicle reviewer Carolyn Cooke wrote, “And the Dark Sacred Night is a quiet novel the way a modest rope of pearls represents the urgent efforts of two dozen oysters.”
Glass’s most recent novel is A House Among The Trees, the story of a world-famous children’s author whose unexpected death causes a massive upheaval for his assistant-turned-executrix. Friendship, love, ambition, and the pitfalls of celebrity make A House Among the Trees a classic example of Glass’s rich plots and unforgettable characters. The New Orleans Advocate wrote, “A House Among the Trees shows [Glass] at her tender, compassionate, thoughtful best, thinking about art, about life, and the way they intertwine so beautifully to make us, finally, fully human.” The Chicago Tribune called A House Among the Trees “spell-binding. . . . Elegant and character-driven.”
“Glass propels her characters through a world that is sometimes dire but also sweetly normal and often joyful. . . . She is a master of milieu, an old French word that means “middle place”—the place in which all her characters, young and old, continue to engage with the world and where she, a novelist in mid-career, keeps refining their stories.”
—The Washington Post Book World
Glass has won fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and the Radcliffe Institute for Advanced Study. Other awards include the Sense of Place Award, three Nelson Algren awards, and the Tobias Wolff Award. In 1999, she won the Pirate’s Alley Medal for Best Novella for Collies, which ultimately grew into her debut novel Three Junes. She has been a writer in-residence at the James Merrill House in Stonington, Connecticut, and a Director’s Guest at the Civitella Ranieri Foundation in Umbertide, Italy.
Glass’s essays have been widely anthologized, most recently in Bound to Last: 30 Writers on Their Most Cherished Book, edited by Sean Manning, and in Labor Day: True Birth Stories by Today’s Best Women Writers, edited by Eleanor Henderson and Anna Solomon. For the past fourteen years, she has also taught creative writing workshops at programs including the Fine Arts Work Center, the Yale Writers’ Conference, the Cuttyhunk Island Writers’ Residency, and the MFA program at Brooklyn College. She is now a Distinguished Writer in Residence at Emerson College, teaching in the Writing, Literature, and Publishing department.
Born and raised in Massachusetts, Glass attended Yale College, where she earned her BA as a Scholar of the House in studio art. She began writing fiction in her early thirties, publishing her first short story at age 37 and her first novel at 46. In 2002, she dedicated her National Book Award to late bloomers of all kinds. In 2004, after 24 years in New York City, she returned to Massachusetts. She is proud to be a cofounder and the literary director of Twenty Summers, a nonprofit arts festival based in a historic barn in Provincetown, and a member of the Literary Board at 826 Boston.
For more information on Julia Glass, please visit facebook.com/AuthorJuliaGlass.