“I believe in the democracy of storytelling. I love the fact that our stories can cross all sorts of borders and boundaries. I feel humbled by the notion that I’m even a small part of the literary experience. I grew up in a house, in a city, in a country shaped by books. I don’t know of a greater privilege than being allowed to tell a story, or to listen to a story.”
Irish-born international bestseller Colum McCann is among the world’s foremost storytellers, moving seamlessly from the Troubles in Ireland to the Romani camps of Eastern Europe to the dizzying heights of the World Trade Center. Known as a writer of style and substance, hailed by critics and readers alike, he is known as a poetic realist and a literary risk-taker, a writer who is known to tackle the dark in order to get through to the light—any sort of light, however compromised—on the far side.
His National Book Award-winning novel Let the Great World Spin was a bestseller on four continents and was recognized with major awards from eight nations, including China’s Best Foreign Novel Award and Ireland’s International Impac Award. Esquire called it “the first great 9/11 novel…that delivers the sense that so many of the 9/11 novels have missed: We are all dancing on the wire of history, and even on solid ground we breathe the thinnest of air.”
Yet to reduce Let the Great World Spin to a novel that is just about September 11, or just about New York, is to miss its magic. Though McCann’s novel “vividly captures New York at its worst and best…it transcends all that. In the end, it’s a novel about families—the ones we’re born into and the ones we make for ourselves” (USA Today). Dave Eggers called it “one of the greatest-ever novels about New York…there’s so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you’ll find yourself giddy, dizzy, overwhelmed.”
Let the Great World Spin was also named Amazon’s Book of the Year for 2010. J. J. Abrams, creator of Lost, bought the film rights to Let the Great World Spin, and McCann is currently adapting the screenplay along with Abrams.
In 2016’s Thirteen Ways of Looking, his first collection of short fiction in more than a decade, McCann “unspools complex and unforgettable stories” (The Boston Globe) that focus on the irreducible complexity of human experience, and the myriad consequences of even our most casual interactions.
McCann’s sixth novel, TransAtlantic, published in 2013, earned him comparisons to Michael Ondaatje and Toni Morrison. Rooted in both fiction and imagination, TransAtlantic is “a brilliant tribute” to McCann’s “loamy, lyrical and complicated Irish homeland, and an ode to the ties that, across time and space, bind Ireland and America” (Neal Thompson, Amazon). In a starred review, Booklist noted that “McCann creates complex, vivid characters (historical and otherwise) while expertly mixing fact and fancy to create this emotionally involving and eminently memorable novel.”
In 2017’s Letters to a Young Writer, McCann calls on young storytellers to push the boundaries of human experience in pursuit of empathy and wonder. A collection of essays intended to challenge and ignite, Letters to a Young Writer affirms the power of language and the centrality of storytelling to McCann’s understanding of the world.
McCann is also a cofounder of the global charity Narrative 4. Led by artists, educators, students, and community activists (including Terry Tempest Williams, Ishmael Beah, Greg Khalil, Assaf Gavron, Tyler Cabot, and Marlon James), Narrative 4 brings young people from all over the world together to “walk in one another’s shoes.” “It’s an act of radical empathy,” says McCann. “You tell my story and I’ll tell yours. From Newtown, Connecticut to Belfast to Kentucky to Tampico, Mexico. From gangland kids in Chicago to the streets of Limerick. What storytelling does is that it increases the lungs of the world. After the exchanges, these young people go back into their communities and begin to alter their worlds from the ground up. We’re looking to develop a generation of truly empathetic leaders.”
Apart from his work with Narrative 4, McCann is active in several New York and Irish-based charities, including PEN, the New York Public Library, Art for Amnesty, the Norman Mailer Colony, and Roddy Doyle’s Fighting Words.
His writing has been published in The New Yorker, Esquire, The Paris Review, Granta, The Atlantic, GQ, Tin House, The New York Times, The Irish Times, The Irish Independent, Die Zeit, The Guardian, The Times, and The Independent, among others. He wrote a short film, Everything in This Country Must, which was nominated for an Academy Award in 2005.
In addition to the National Book Award, McCann has won a Pushcart Prize, a Rooney Prize, and an Irish Novel of the Year Award, among other honors; he was appointed to the Chevalier des Arts et Lettres by the French government in 2009. He received a Guggenheim Fellowship in 2010 and a literary award from the American Academy of Arts and Letters in 2011. In 2016, he was named a finalist for the Story Prize for Thirteen Ways of Looking.
McCann, who holds dual Irish-American citizenship, has traveled extensively around the world. In 1986, he rode a bicycle 8,000 miles across the US and Mexico, and he has twice walked across Ireland. He currently lives in New York City, where he teaches creative writing at Hunter College. In 2017, he was elected to the American Academy of Arts and Letters. His next novel will be published in fall 2019.
McCann speaks on the intersections of storytelling, self-discovery, social justice, and travel.
For more information on Colum McCann, please visit colummccann.com.