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Edmund White
Novelist Memoirist Biographer Social Critic

Edmund White is America’s preeminent gay writer. In biography, social history, travel writing, journalism, the short story and the novel, this prolific and versatile author has chronicled the gay experience in the United States from the closeted 1950’s through the AIDS crisis. But as William Goldstein wrote in Publishers Weekly, “To call Edmund White merely a gay writer is to oversimplify his work and his intentions.” The acuity, insight and compassion with which White explores the human condition transcends such a label.

Edmund White

Edmund White was born in Cincinnati, Ohio and received his B.A. from the University of Michigan. His first novel, Forgetting Elena, was published in 1973. The story of an amnesia victim, set at a stylish resort reminiscent of Fire Island, White’s novel is “a semiology of snobbery, its complete sign system,” wrote The Nation reviewer Simon Karlinsky. “What might at first seem to be merely a witty parody of a particular subculture’s foibles and vagaries actually turns out to be something far more serious and profound. …He has produced a parable about the nature of social interaction that transcends any given period and applies to the human predicament at large.”

With the classic coming-of-age tale A Boy’s Own Story, published in 1982, White cemented a place for himself, and for gay fiction, in the cultural consciousness. Comparing White to James Baldwin, Herman Wouk, and Mary McCarthy, Thomas M. Disch wrote in Washington Post Book World that the novel “represents the strongest bid to date by a gay writer to do for his minority experience what the writers above did for theirs—offer it as a representative, all-American instance.”

White’s celebrated fiction also includes Nocturnes for the King of Naples, Caracole, The Beautiful Room Is Empty, The Farewell Symphony, The Married Man, Fanny: A Fiction and his latest, nominated for the National Book Critics Circle Award, City Boy (2009).

White has been involved in the gay rights movement since the Stonewall riot in New York City in 1969 and has acted as one of its canniest observers. His pioneering The Joy of Gay Sex: An Intimate Guide for Gay Men to the Pleasures of a Gay Lifestyle was published in 1977 and served as a national coming-out announcement for the entire gay community. White’s travel memoir, States of Desire: Travels in Gay America, published in 1980, explored homosexual life in fifteen major American cities just before the advent of AIDS.

White’s work as a cultural critic and his analysis of the impact of AIDS on the gay community and on American society, is perhaps his most valuable contribution to letters. In fiction such as The Darker Proof: Stories from a Crisis and Skinned Alive: Stories, White “conjures….a serious, sustained look at how AIDS measures and shapes the meaning of our existence,” commented Los Angeles Times Book Review contributor Michael Bronski. Of White’s essays, collected into the volume The Burning Library: Essays, Observer reviewer Jonathan Keates wrote that White is “armed with [a]….deep moral awareness and the….ability to charm the socks off the reader even while retailing unpalatable truths….His own HIV-positive status might have fueled him with accusatory hysteria and recrimination. Instead….he has challenged mortality with these noble fragments.”

In addition to his social commentary, White has also made his mark as a highly accomplished biographer. Genet: A Biography is recognized a definitive work on writer and playwright Jean Genet. New York Times Book Review contributor Margo Jefferson said that White “presents the life meticulously, reads Genet’s work intelligently and writes beautifully.” Genet won the National Book Critics Circle award for biography in 1994. In addition, White also authored the well-received Marcel Proust for the Penguin Lives series in 1999.

Edmund White has lived in Paris on and off since 1983. He has taught at Johns Hopkins, Columbia, Brown and Yale and currently teaches at Princeton and resides in New York City.

Selected Writings

Fiction
Hotel De Dreams (Ecco/HarperCollins, 2007)
Fanny: A Fiction (Ecco/HarperCollins, 2003)
The Married Man (Knopf, 2000)
Skinned Alive: Stories (Knopf, 1995)
The Beautiful Room Is Empty (Knopf, 1988)
Caracole (Dutton, 1985.
A Boy’s Own Story (Dutton, 1982)
Forgetting Elena (Random House, 1973)

Nonfiction
City Boy: My Life in New York During the 1960's and 70's (Bloomsbury USA, 2009)
Rimbaud: The Double Life of a Rebel (Atlas & Co., 2008)
My Lives: An Autobiography (Ecco Press, 2006)
Loss within Loss: Artists in the Age of AIDS (Editor, University of Wisconsin Press, 2001)
Marcel Proust (“Penguin Lives” series, Viking, 1999)
Our Paris: Sketches from Memory (Knopf, 1995)
Genet: A Biography (Knopf, 1993)
States of Desire: Travels in Gay America (Dutton, 1980)
The Joy of Gay Sex: An Intimate Guide for Gay Men to the Pleasures of a Gay Lifestyle (With Charles Silverstein, Crown 1977)

Selected Awards and Honors

2010  Finalist, National Book Critics Circle award, City Boy
1999 Made a member of the American Academy of Arts and Sciences
1997 Made a member of the American Academy of Arts and Letters
1994 National Book Critics Circle award for biography for Genet
1993 Chevalier, Ordre des Arts et Lettres (France)
1983 Guggenheim Fellowship
1982 Award for Literature from the American Academy of Arts and Letters

For more information on Edmund White and his work, please go to www.edmundwhite.com.


My Lives 


White is to be envied not only for his productivity . . . but because he is a gifted writer who has staked himself a distinguished claim in the rocky territory called desire.


Carter Wilson, The Nation



One of the most brilliant and distinguished authors at work in America today.


Patrick McGrath



White possesses the rare combination of a poetic sense of language and an ironic sense of humor…[He] is unquestionably the foremost American gay novelist.


Newsweek



With A Boy’s Own Story, American literature is larger by one classic novel.


Washington Post Book World



Dazzling. Genet has found a scrupulous, meticulous chronicler in Edmund White.


Philip Henscher
The Guardian



He has a novelist’s eye for the telling detail or the remarkable phrase and, like Proust himself, concentrates upon the minutiae of the past so that it might live again.


The New York Times Book Review